|Bibliography, etc. Note:
|| Includes bibliographical references and index.
|Formatted Contents Note:
|| Cover; Title; Copyright; Contents; List of Figures; Acknowledgments; Introduction; Part 1; 1 Rictus Invictus; 2 Walter de la Mare's ""A: B: 0."": The Text for the Context; 3 Unsealing Sense in Henry James's The Turn of the Screw; 4 Articulating the Dead: Vernon Lee, Decadence, and ""The Doll""; Part 2; 5 The Word Made flesh: Protoplasmic Predications in Arthur Machen's ""The Great God Pan""; 6 The Anatomy of failure: Joseph Conrad's Heart of Darkness; Conclusion; Notes; Bibliography; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; R; S; T; U; V; W; X; Y; Z.
|| During the last decades of the nineteenth century, Charles Darwin, Thomas Henry Huxley, Walter Pater and others changed the nature of thought concerning the human body and the physical environment that had shaped it. In response, the 1890s saw the publication of a series of remarkable literary works that had their genesis in the intense scientific and aesthetic activity of those preceding decades -- texts that emphasized themes of degeneration and were themselves stylistically decompositive, with language both a surrogate for physical deformity and a source of anxiety. Susan J. Navarette exami.
|Source of Description Note:
|| Print version record.